Form:
The form is a multimedia experience that blends elements of cinema, visual arts, and sound design to create an immersive and hypnotic environment for the viewer. The visuals mix love-action footage and experimental editing techniques to create a dreamlike and abstract aesthetic. The sound design incorporates ambient soundscapes, electronic music, and distorted voices, creating a sensory experience that complements the visuals. The work’s overall structure is nonlinear and abstract, with no traditional narrative arc. Instead, the piece takes the viewer on a hypnotic journey through a series of interconnected scenes that blend to create a meditative and transcendent experience. The work invites the viewer to engage with the piece on a visceral and emotional level, encouraging them to contemplate their relationship with technology and spirituality.
Content:
This short film is an experimental and abstract work that explores the intersection of technology and spirituality. Using a Sony A6500 Digital Camera and programs such as Adobe Premiere Pro and DaVinci Resolve, the story follows a person hypnotized by a mystical being composed entirely of circuitry and wires, with wings resembling intricate patterns of tangled cords. This entity, which appears to be a fusion of technology and divine presence, takes the viewer through a series of surreal and hypnotic landscapes that blur the lines between the physical and the digital realms. The retro television body of the entity serves as a nod to the past, while the wire circuitry wings represent the ever-evolving nature of technology. Overall, the work invites viewers to question their perceptions of reality and contemplate technology’s role in our lives and spirituality. Two characters perform an act of rescue but are too late.
Method:
The method of this short film is experimental and non-traditional, using various techniques and processes to create a cohesive and immersive experience. The work was likely done through live-action filming. The techno-angel’s wire circuitry wings and retro television body were made through a wireframe installation. The visual effects and color grading probably created a dreamlike and otherworldly aesthetic. At the same time, the sound design was carefully crafted to complement the visuals and evoke a sense of immersion and transcendence. The nonlinear and abstract structure of the work required a significant amount of experimentation and iteration as the creators worked to find the right balance of visuals, sound, and pacing. Overall, the work method is exploratory and innovative, inviting the viewer to engage with the piece on a deeper, more experiential level.
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